Adrian o‘nlab Oskar mukofotiga nomzod va g‘olib bo‘lgan aktyor va rejissyorlar bilan ishlagan. U o‘ziga turli xil rollarni singdirgan va tomoshabinlar har doim buni mamnuniyat bilan qabul qilgan. Adrian komediya va drama rollarini ijro etishda katta talantga ega.
Adrian Martines “Taxi” (1998), “A Perfect Murder” (1998), “The Interpreter” (2005) kabi uzun metrajli filmlarda, shuningdek, “In America” (2003), “Pieces of April” (2003) va “Mail Order Wife” (2004) kabi qisqa metrajli filmlarda rol o‘ynagan. Oxirgi filmning prodyuseri Doug Liman bo‘lgan va Adrian Martinesning roli shu qadar ishonchli bo‘lgan ki, tomoshabinlar filmni hujjatli deb hisoblashgan (lekin bu xato fikr edi).
Martines London’da “Kick-ass” (Nikolas Keyj bilan) komiksiga asoslangan film ustida, shuningdek, “Veronika Decides to Die” (Sara Mishel Gelllar bilan) va “Made for Each Other” (Vijju Fillips, Denni va Kris Masterson bilan) filmlari ustida ishlagan.
Televidenieda aktyor “Sex and the City” (1998), “The Sopranos” (1999), “Late Night with Conan O’Brien” (1993), “Ed” (2000), “Third Watch” (1999), “NYPD Blue” (1993), “The Jury” (2004) va boshqa seriallarda paydo bo‘lgan.
Teatr tomoshabinlari Adrian Martinesni “LAByrinth” kompaniyasining jasoratli spektakllaridan bilishadi, bu kompaniyaning rahbari Oskar mukofoti laureati Filip Seymur Xoffman. “Our Lady of 121st Street” (The Union Square Theatre) spektaklida Martines ruhiy kasallikdan aziyat chekayotgan yosh odam rolini o‘ynagan va bu rol tomoshabinlar tomonidan hayajon bilan qabul qilingan. Public Theatre sahnasida Adrian Sigmund Freytd va Avliyo Tomas rollarini (piesa “The Last Days of Judas Iscariot”) ijro etgan. Ikkala spektakl ssenariysi Stiven Adli Girgis tomonidan yozilgan.
Bundan tashqari, Public Theatre sahnasida Adrian Martines “Massacre: Sing to Your Children” (muallifi Joys Rivera, Oskar mukofotiga nomzod) spektaklida ikkinchi darajali rolni o‘ynagan.
